Full profiles on ORCID and Google Scholar.

Journal articles and special issues

• Forthcoming. “OxDEG Revisited: Ethnographic Epistemology and Ethnographic Revisit of the Chipscene.” Journal of the Anthropological Society of Oxford.
• 2025. With George Reid. “Chiptune in the Twenty-First Century.” Introduction to the special series. Journal of Sound and Music in Games 6 (4).
• 2019. “Knowledge of Limitations: Hacking Practices and Creativity Ideologies in Chipmusic.” Volume! 16 (1). doi:10.4000/volume.7277
• 2014. “Chipmusic, Fakebit and the Discourse of Authenticity in the Chipscene.” WiderScreen 17 (1–2). Translated into Chinese for university teaching.

Book chapters and encyclopedia entries

• 2019. “Network Systems Analysis”, “Fieldwork” and “Ethics.” In Janet L. Sturman (ed.), The SAGE International Encyclopedia of Music and Culture. SAGE.
• 2018. “Digital Music Creativity: Chipmusic in/from Greece.” In Dafni Tragaki (ed.), Global Popular Music. Routledge.
• 2016. With Vasiliki Tsagkroni and Gabriella Lazaridis. “Networks and Alliances against the Islamisation of Europe: The Case of the Counter-Jihad Movement.” In Gabriella Lazaridis and Giovanna Campani (eds.), Understanding the Populist Shift: Othering in a Europe in Crisis. Routledge.
• 2008. “Sound in Cyberspace: Exploring Material Technoculture.” Proceedings of the Sound and Music Computing Conference.

Public writing

• 2026. With George Reid. “Chiptune in the Twenty-First Century: Memory Power.” University of California Press Blog.
• 2025. “From the ‘Grid’ to the ‘Field’: Visualizing the Chipscene.” Platypus, the CASTAC blog.
• 2023. “Active Learning as a Pedagogical Strategy to Enhance the Learning of Anthropology.” Teaching Anthropology blog.
• 2022. “Game Boy Afterlives.” Anthropology News.
• 2015. “Passion for the Machine: Europe in 8 Bits Features the World of Chipmusic.” Norient.
• 2012. “Using Online and Offline Research Methods: An Ethnography of Chipmusic and Its Scene.” Ethnography Matters.
• 2011. “An Introduction to Chipmusic.” IASPM-US blog.

Reviews and interviews

• 2018. Review of Evangelos Chrysagis and Panas Karampampas (eds.), Collaborative Intimacies in Music and Dance (Berghahn, 2017). Social Anthropology 26 (2): 280–281.
• 2015. Website review, “Tobar an Dualchais.” Yearbook for Traditional Music 45.
• 2013. Interviews with Phil Ford (Dig) and Steve Savage (Bytes and Backbeats). IASPM.
• 2010. Review of Joanna Demers, Listening Through the Noise, and Nick Collins and Julio d’Escriván (eds.), The Cambridge Companion to Electronic Music. Current Musicology.

Thesis

• 2015. Networked Creativity: Ethnographic Perspectives on Chipmusic. DPhil thesis, University of Oxford.